In addition, the Museum has the Library "Giuseppe Leggio" which houses about seven thousand books concerning puppetry and folk traditions. Renato Guttuso, Tadeus Kantor, Enrico Baj) have been commissioned new set designs and puppets which are now an interesting part of the permanent collection of the Museum. Italo Calvino, Francesco Pennisi, Luciano Berio) for the production of new plays, and painters and visual artists (e.g. Since the beginning it has offered new inputs to contemporary writers and musicians (e.g. The Museum's theatrical project also consists of the production of innovative shows. The Museums promotes the annual Festival di Morgana featuring artists from all over the world – as well as cultural exchanges with similar associations in the five continents. Besides, you can find many other objects used in the other puppet traditions which have obtained the same award: the Japanese Ningyo Johruri Bunraku, the Indonesian Wayang Kulit and the Cambodian Sbek Thom. Among these, it houses the largest and most complete collection of pupi from Palermo, Catania, and Naples, used in the Opera dei pupi, that is Sicilian traditional puppetry, proclaimed by UNESCO a Masterpiece of the Oral and Intangible Heritage of Humanity in 2001. It conserves about 4,000 items, including marionettes, marionettes, hand puppets, shadow puppets, theatrical machines and playbills from all around the world. The Museum showcases objects from lots of European countries and the Far East such as France, Spain, Thailand, Vietnam, Burma and so on. Antonio Pasqualino dedicated his researches to a form of theatre that, in the second half of the 20th century, seemed to be inexorably disappearing: Sicilian puppet theatre, which narrated the history of the Crusades and French paladins. The history of the Museum is linked to its founder Antonio Pasqualino, who disappeared in 1995, who was a surgeon, anthropologist, expert of the history and culture of his motherland, Sicily. The combination of traditional museum activities and the organization of live theatrical shows is on the basis of one of the most successful examples of museum research on theatre. Since its foundation, the Museum has constantly pertained to contemporary museography and not being a temple of knowledge for a few people, but a place for spreading culture and knowledge. The Antonio Pasqualino International Puppet Museum was founded in 1975 by the Association for the Conservation of Folk Traditions.
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